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London Symphonic Strings Ensemble Bundle
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London Symphonic Strings Ensemble Bundle

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London Symphonic Strings - Cellos - Version: Kontakt 4.2.2 / WAV / 5.5 GB / V1
London Symphonic Strings - Double Basses - Version: Kontakt 4.2.2 / WAV / 4 GB / V1
London Symphonic Strings - First Violins - Version: Kontakt 4.2.2 / WAV / 2.1 GB / V1
London Symphonic Strings - Second Violins - Version: Kontakt 4.2.2 / NCW / 6.2 GB / V1
London Symphonic Strings - Violas - Version: Kontakt 4.2.2 / WAV / 5 GB / V1

The London Symphonic Strings Ensemble Bundle contains all 5 products from the 'LSS' range from Aria Sounds.  

£199.00 + VAT

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Download Method: London Symphonic Strings - Cellos - Kontakt Hub

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Download Method: London Symphonic Strings - Double Basses - Kontakt Hub

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Download Method: London Symphonic Strings - First Violins - Kontakt Hub

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Download Method: London Symphonic Strings - Second Violins - Kontakt Hub

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Download Method: London Symphonic Strings - Violas - Kontakt Hub

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Bundle Overview

The London Symphonic Strings Ensemble Bundle contains all 5 products from the 'LSS' range from Aria Sounds. Violin, Viola, Double Bass, Cello. Full Chamber Articulations. 

With a combined value of £199 this bundle represent exceptional values for money.

Totaling 40.3GB in size this collection is a must have.

Please see the individual product pages for more information and demos.

Please ensure you have the FULL version of Kontakt. No refunds will be made to customers trying to use this in Kontakt Player.

This Bundle Includes:

FIRST VIOLINS

The first part of the "London Symphonic Strings"; the "first violins", boasting a huge range of articulations and techniques, as well as new scripting tech and possibilities. This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette.

Recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall, LSS First Violins boasts the first user controllable slow gliss/slide patch, allowing you to perform long glissandos between any two notes, without the aid of synthesized pitch bends or artificial means, of course the essential patches, different types of legato and legato patches, less common articulations, and a collection of string sound percussive sounds, experimental sounds and builds.

The range of articulations is listed below, with many true legato patches, bowed/fingered legato, more varied types of detached notes, muted patches etc. Boasting a huge range of articulations and techniques, new scripting tech and possibilities available from a sample library, with a fantastic four mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.

FULL ORCHESTRA ARTICULATIONS

  • Sustained long notes - with interchangeable fingered and bowed true legato intervals, conveniently displayed as you play on the easy to read/use user interface, as well as four crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
  • Spiccato - Short notes, for all your essential driving string motifs, with 3x round robin with multi dynamic layers for up to six variations per note
  • Sordino - sustained long notes, with crossfadable dynamic layers and true legato intervals
  • Molto Sul Ponticello - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
  • Sordino Spiccato - Spiccato played with mutes on, 4x round robin variations with multi dynamic layers for up to eight variations per note.
  • Colle - Short note where players start with the bow on the string and lift off, causing a harsh scratch at the beginning of the note. With 4x round robin variations per note and multi dynamic layers, you have up to eight variations per note.
  • Martele - Intense, slightly longer detached notes using more of the bow. 2x round robin variations.
  • Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard. 2x round robin per note, with three dynamic layers, for up to six variations per note.
  • Col Legno - striking the strings with the back, wooden side of the bow. 2x round robin variations per note.
  • "Violin Concerto" - Leading soloist playing loud with vibrato, over the rest of the section, who play softly with mutes. Yet another addition to the possible colour of sound you can give your score.
  • String SFX - Variety of string effects, clusters, percussive sounds, experimental sounds, noises, builds etc.

second violins

London Symphonic Strings part 2 features a full Violin II section with four different true legato patches for full compositional flexibility (sustains, sordino, sul tasto and sul ponticello). The normal sustains have true legato fingered intervals, plus portamento (sliding) transitions too, so you can really get the line to sing.

Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords.

This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall.

FULL ORCHESTRA ARTICULATIONS

  • Sustained long notes - with interchangeable normal legato, and portamento (slide) legato intervals, conveniently displayed as you play on the easy to read/use user interface, as well as crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
  • Spiccato - Short notes, for all your essential driving string motifs
  • Sordino - sustains legato, with crossfadable dynamic layers and true legato intervals
  • Sul Ponticello Legato - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
  • Sul Tasto Legato - The smooth sound created with players playing onto the fingerboard with the bow, also with true legato intervals.
  • Martele - Intense, slightly longer detached notes using more of the bow.
  • Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard.
  • Col Legno - striking the strings with the back, wooden side of the bow.
  • Tremolo - Normal fast unmeasured tremolo.

DOUBLE BASSES

The double basses, once again with four different true legato patches for full composition variety. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords, and the double basses also come with some percussive string fx, glisses, tremolo glissandos, and other experimental sounds too.

FULL ORCHESTRA ARTICULATIONS

  • Sustained long notes - as well as crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
  • Spiccato - Short notes, for all your essential driving string motifs
  • Sordino sustains legato - with crossfadable dynamic layers and true legato intervals
  • Sul Ponticello Legato - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
  • Sul Tasto Legato - The smooth sound created with players playing onto the fingerboard with the bow, also with true legato intervals.
  • Martele - Intense, slightly longer detached notes using more of the bow.
  • Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard.
  • Col Legno - striking the strings with the back, wooden side of the bow.
  • Tremolo - Normal fast unmeasured tremolo.
  • SFX - Variety of String sfx and experimental techniques + sounds

CELLOS

Full Cello section with four different true legato patches for full compositional flexibility. The normal sustains have true legato fingered intervals, plus portamento (sliding) transitions too, so you can really get the line to sing. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords. This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall.

Boasting a huge range of articulations and techniques, and a fully revamped realistic legato script, with four fantastic mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.

FULL ORCHESTRA ARTICULATIONS

  • Sustained long notes - with interchangeable normal legato, and portamento (slide) legato intervals, conveniently displayed as you play on the easy to read/use user interface, as well as crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
  • Spiccato - Short notes, for all your essential driving string motifs
  • Sordino sustains legato - with crossfadable dynamic layers and true legato intervals
  • Sul Ponticello Legato - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
  • Sul Tasto Legato - The smooth sound created with players playing onto the fingerboard with the bow, also with true legato intervals.
  • Sordino Spiccato - Spiccato played with mutes on.
  • Martele - Intense, slightly longer detached notes using more of the bow.
  • Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard.
  • Col Legno - striking the strings with the back, wooden side of the bow.
  • Sul Tasto Tremolo - Fast up/down bow tremolo played close towards the fingerboard giving a soft airy smooth tremolo.
  • Tremolo - Normal fast unmeasured tremolo.

VIOLAS

Full Viola section with four different true legato patches for full compositional flexibility (sustains, sordino, sul tasto and sul ponticello). The normal sustains have true legato fingered intervals, plus portamento (sliding) transitions too, so you can really get the line to sing. Legato patches allow you to turn legato off if you wish so that you can play polyphonically/chords.

This is a must own, as either your perfect go-to string library for any composing needs, or as a considerable addition to your existing string palette. This library was recorded 24 bit at 48000Khz with four mic positions (Close, Main, Rigs and Room) in a wonderful sounding hall.

The range of articulations is listed below, with many true legato patches, normal/portamento legato, more varied types of detached notes, muted patches etc.

Boasting a huge range of articulations and techniques, and a fully revamped realistic legato script, with four fantastic mic positions, Close, Main (conductor position), Rigs, and Room. This sample library can be played in Kontakt 4 and above.

FULL ORCHESTRA ARTICULATIONS

  • Sustained long notes - with interchangeable normal legato, and portamento (slide) legato intervals, conveniently displayed as you play on the easy to read/use user interface, as well as crossfadable dynamic layers beginning with a beautiful sounding soft pianissimo, up to a full and powerful fortissimo.
  • Spiccato - Short notes, for all your essential driving string motifs
  • Sordino sustains legato - with crossfadable dynamic layers and true legato intervals
  • Sul Ponticello Legato - The raspy and hollow sound when players bow closer to the bridge, bringing less of the fundamental note out, and more of the naturally occurring harmonics. This patch also has crossfadable dynamic layers and true legato
  • Sul Tasto Legato - The smooth sound created with players playing onto the fingerboard with the bow, also with true legato intervals.
  • Sordino Spiccato - Spiccato played with mutes on.
  • Martele - Intense, slightly longer detached notes using more of the bow.
  • Pizzicato and Bartok pizz - Players pluck the strings, as well as "Bartok pizz" where the pluck is hard enough to cause the string to snap back against the fingerboard.
  • Col Legno - striking the strings with the back, wooden side of the bow.
  • Sul Tasto Tremolo - Fast up/down bow tremolo played close towards the fingerboard giving a soft airy smooth tremolo.
  • Tremolo - Normal fast unmeasured tremolo.